제주도 워터월드의 5면 미디어 파사드 콘텐츠를 제작했습니다.
이번 작업은 겨울 숲속의 아름다움과 시간의 흐름에 따른 변화를 표현하는 데 초점을 두었습니다.
이번 작업은 겨울 숲속의 아름다움과 시간의 흐름에 따른 변화를 표현하는 데 초점을 두었습니다.
처음에는 차갑고 고요한 설경을 통해 겨울의 정적을 담아내고,
저녁으로 갈수록 따뜻한 빛과 색감을 더해 서서히 변하는 감정의 온도를 전달하고자 했습니다.
또한, 모든 면이 동일한 컨셉의 배경이지만 각 면마다 레이아웃과
요소의 구성을 다르게 배치하여 보는 방향에 따라 새로운 경험과 다양성을 느낄 수 있도록 디자인했습니다.
I created a five-sided media façade content for Water World in Jeju.
The concept focuses on capturing the beauty of a winter forest and the subtle transitions over time.
The concept focuses on capturing the beauty of a winter forest and the subtle transitions over time.
The scene begins with a cold and serene snowy landscape,
gradually shifting into a warmer atmosphere as evening approaches.
gradually shifting into a warmer atmosphere as evening approaches.
Through this progression, I aimed to express the emotional warmth that emerges with the passage of time.
Although each side shares the same forest background, different layouts and visual elements are arranged across
the panels, allowing viewers to experience a sense of diversity and discovery from different perspectives.
This work is designed to immerse the audience in the evolving light and mood of the winter forest, evoking a deep sense of connection with the passage of time.
- Media Facade Content Showcased On-Site -
- Front Side -
For the front view, I designed the composition around a luminous central tree as the main focal point, with sprawling roots and resting deer surrounding it, to evoke the feeling of a fantastical sanctuary.
- Back Side -
The concept for the rear view was a winter hot spring. Inspired by traditional Japanese onsen, I arranged various props in the scene to complement the atmosphere. A towering snow-covered mountain was placed in the background to evoke the imagery of soaking in the hot spring while gazing at the majestic peak
- Left Side -
The concept for the left side featured log cabins inhabited by the forest dwellers, emphasizing a sense of cozy retreat.
Bridges and stepping stones were placed along the path leading to the cabins, guiding the viewer’s gaze through the scene.
- Right Side -
The concept for the right side was camping. To bring this idea to life, I placed elements such as campers, campfires, and picnic tables to depict travelers enjoying their stay in the snowy mountains. In the background, a lighthouse was added to suggest the presence of the sea beyond the horizon.
- Enreal Engine -
One of the reasons this project was especially meaningful to me is that it was my first commercial project created with Unreal Engine. By producing the content in Unreal, I was able to significantly reduce render time, which in turn streamlined the overall production process.
